Photographer John Divola reflects on how time and motion influenced his artistic practice. His series As Far as I Could Get (1996–97) and Dogs Chasing My Car in the Desert (1996–98) explore the relationship between the dynamic nature of the present and the fixed imprint of a photograph. Related Ideas: More John Divola: https://youtu.be/bYp2kMMqFGI Richard T. Walker's Self Portraits in Landscape: https://youtu.be/LKngVEgBbNE
