Watch
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watchRupy C. Tut
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watchAngela Hennessy
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watchRose D’Amato
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watchCreative Growth: Studio Reel
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watchKara Walker
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watchWilliam Scott Praise Frisco
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watchKay Sekimachi Oral History Animation
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watchViolet Fields
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watchCheryl R. Riley
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watchReagan Louie
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watchArtist Talk: Wolfgang Tillmans
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watchNaama Tsabar: Work on Felt
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watchReagan Louie
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watchIlse Bing
-
watchJohnnie Chatman: INSITE Conversations
-
watchSitting on Chrome
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watchMercedes Dorame: Everywhere is West
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watchFrank Bowling: New York, 1969
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watchDavid Huffman: Trauma Smiles
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watchDuct Tape and Dreams: Reviving the Soapbox Derby at McLaren Park
-
watchTalk: Joan Brown and Friends
-
watchDavid Huffman: The Social Abstractionist
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watchArtist Cribs: David Huffman's Oakland Studio
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watchSadie Barnette
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watchBringing Diego Rivera's Watercolors to Life with Toztli Abril de Dios
-
watchJoan Brown
-
watchLivestream Gallery Talk with Helen and Charles Schwab Director Chris Bedford
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watchA Conversation Between Comadres: Amalia Mesa-Bains, Ester Hernández, and Mildred Howard
-
watchKerry James Marshall
-
watchRaymond Saunders
-
watchArtist Cribs: Sadie Barnette’s SPACE
-
watchAmalia Mesa-Bains
-
watchChanell Stone: Natura Negra
-
watchLas Muralistas: Nuestros Muros, Nuestras Historias
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watchLas Muralistas: Our Walls, Our Stories
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watchHow Diego Rivera Made His Murals
-
watchRhonda Holberton Creates "The Best of Both Worlds"
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watchEmory Douglas: Art for the People
-
watchArtist Talk: Wendy Red Star
-
watchカメラになった男ー写真家 中平卓馬
-
watchThe Man Who Became a Camera: Takuma Nakahira
-
watch東松照明—最初の10年
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watchShomei Tomatsu: The First Decade
-
watch川内倫子が世の中の小さな謎を考察する
-
watch志賀理江子が北釜村と東日本大震災について語る
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watch北島敬三と旧ソビエト連邦
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watch土田ヒロミー日本の過去と現在を記録する
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watch細江英公ー写真は真実を語るか?
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watch森山大道が語る反乱の時代、日本の60年代
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watch森山大道が語る写真のエッセンス
-
watch石内都―傷とは何か?
-
watch石内都の横須賀米軍基地の近くで過ごした幼少時代
-
watchシエル・トンベ−畠山直哉、アートを求め地下に潜る
-
watch畠山直哉が語る〈オー・サム〉、崇高なるものとは
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watch荒木経惟ー生と死を巡る旅
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watch荒木経惟の「モア・イズ・モア」という写真へのアプローチ
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watchEmory Douglas: "Land, bread, housing, justice, and peace"
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watchDiana Markosian + Ragnar Kjartansson on Santa Barbara
-
watchDiana Markosian and Steven Yeun in Conversation with Christopher Gayomali
-
watchArtist Talk: Emory Douglas
-
watchArtist Talk: Rafael Lozano-Hemmer
-
watchJordan Casteel on Portraits, Process, and Social Landscapes
-
watchArtists on Artists: Stanley Whitney on Joan Mitchell and the Drama of Painting
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watchDayanita Singh on Life, Photography, and Dreams of "Portable Museums"
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watchAll Together Now: Concert + Dance Party
-
watchArtist Journal: Klea McKenna
-
watchArt Bash 2021: Virgil Abloh and Moved by the Motion in Conversation
-
watchErina Alejo and Adrian L. Burrell on Storefront Murals and Local Histories
-
watchTwin Walls Mural Company Talks Symbolism, Healing, and Resilience
-
watchHow to Make a Zine: A Very Bay Area Tutorial
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watchCharles Gaines: “Why is a bird a bird, and I’m not?”
-
watchCharles Gaines: Sublime Systems
-
watchNam June Paik: Electronic Superhighway
-
watchMaking a Mural with Liz Hernández
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watchHelen Frankenthaler Stains a Canvas
-
watchTucker Nichols: Flowers For Sick People
-
watchDavid Park 7x7: An Online Evening of Insights and Memories
-
watchRichard Mayhew: "What color is love?"
-
watchTwin Walls Mural Company: Our Ancestors’ Wildest Dreams
-
watchCauleen Smith imagines a Black, feminist utopia
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watchRuth Asawa on her forms and materials
-
watch1997: Birth of the Camera Phone
-
watchSahar Khoury on creative repair
-
watchDawoud Bey on visualizing history
-
watchHal Fischer: The Gay Seventies
-
watchKenyatta A. C. Hinkle on intuition
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watchMarlon Mullen: The language of color
-
watchLimited Edition: Forward Looking Lineages
-
watchNicole Miller: To the Stars
-
watchJR on The Chronicles of San Francisco
-
watchSuzanne Lacy: Women fight back
-
watchPreviously Screened – Pat O’Neill's Saugus Series
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watchPreviously Screened – Pat O’Neill's Sidewinder’s Delta
-
watchPreviously Screened – Pat O’Neill's Foregrounds
-
watchClose Looking: The Artist Initiative with Vija Celmins
-
watchSuzanne Lacy: We Are Here
-
watchRodney McMillian on home and history
-
watchExploring the Eames Office Conference Room
-
watchThe Sea Ranch: Architecture, Environment, and Idealism
-
watchVija Celmins: Saying the unsayable
-
watchVija Celmins on her life in (and out of) the studio
-
watchArtist Talk: Jeff Wall on Walker Evans
-
watchHung Liu on guns, art, history, forced labor, and taboos
-
watchEtel Adnan on art and urgency
-
watchEtel Adnan on lightning-strike paintings and words as gestures
-
watchMagritte Home Movies
-
watchAndrew C. Zeek: Tullytown, Pennsylvania
-
watchBarney Skibinski: Newport, Delaware
-
watchMitchell Dakelman: New Brunswick, New Jersey
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watchSuper 8 Films from Rein Jelle Terpstra’s The People’s View
-
watchRobert Rauschenberg and the Agility of Images
-
watchArtist Salon with John Akomfrah
-
watchLimited Edition Call and Response: Alex Escalante + Antic Meet
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watchLimited Edition Call and Response: Leyya Tawil + Glacial Decoy
-
watchLimited Edition Call and Response: Keith Hennessy + Pelican
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watchKerry Tribe on empathy in health care
-
watchO Grivo’s sculptural orchestra
-
watchBea Nettles’s photographic tarot deck
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watchRobert Rauschenberg: Erasing the Rules
-
watchIsamu Noguchi: There’s no such thing as time
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watchJudy Chicago: Is there a "Female Aesthetic"?
-
watchJulie Mehretu Artist Talk
-
watchOpen Rehearsals (For a new song, for a new city)
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watchPredictive Engineering3 Colloquium
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watchSean McFarland: Landscape photography as failed record
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watchSean McFarland’s metaphysical way of looking
-
watchHow ORFN’s graffiti inspires Alicia McCarthy
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watchAlicia McCarthy: Visually listening to bands of colors
-
watchRafael Lozano-Hemmer’s biometric portraiture
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watchLindsey White: How humor threatens us
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watchLiam Everett: The art of obstruction
-
watchChristina Kubisch: Discovering new sounds
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watchJacqueline Kiyomi Gork: The slipperiness of sound
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watchRichard T. Walker on landscape and desire
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watchLarry Sultan: Documenting a hidden side of the suburbs
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watchLarry Sultan discovers his family through photography
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watchPeaks and perils: The life of Carleton Watkins
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watch“Crimes against photography”: Man Ray and the "rayograph"
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watchSun pictures: Henry Fox Talbot and the first photographs
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watchPictures from a glass house: Julia Margaret Cameron’s portraits
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watchChanges in Photography: Three Symposia
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watchJourney through the soundscape of a boiler room with Bill Fontana
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watchBill Fontana: The makings of a sound sculptor
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watchAnselm Kiefer: “My paintings change”
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watchPark McArthur: Places of commemoration
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watchRobert Frank as a young artist
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watchWill Rogan's Mediums channel artists lost to time
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watchLieko Shiga on Kitakama village and the 2011 tsunami
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watchPlaySFMOMA: Augmented Reality Game Jam
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watchTomás Saraceno: Building “future flying cities” with spiders
-
watchAnselm Kiefer: History is a clay
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watchPreviously Screened: TAKE THE 5:10 TO DREAMLAND
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watchOnline Screening: Bruce Conner
-
watchWilliam Kentridge: The Refusal of Time
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watchMarco Breuer: Pushing the boundaries of photography
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watchNjideka Akunyili Crosby’s Janded: Between two cultures
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watchUrsula von Rydingsvard on sculpture and ancestry
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watchSohei Nishino’s maps trace more than the city
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watchPreviously Screened: TEN SECOND FILM
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watchPreviously Screened: AMERICA IS WAITING
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watchPreviously Screened: VALSE TRISTE
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watchBruce Conner: It’s All True
-
watchNobuyoshi Araki: Journey through life and death
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watchChris Kallmyer: A Paradise Choir
-
watchAkiyoshi Taniguchi’s meditations on photography
-
watchRinko Kawauchi contemplates the small mysteries of life
-
watchTomoko Sawada’s self-portraits create familiar characters
-
watchEikoh Hosoe: Does photography reflect truth?
-
watchNobuyoshi Araki’s “more is more” approach to photography
-
watchDaido Moriyama on the essence of photography
-
watchKikuji Kawada on the Atomic Bomb Dome and postwar Japan
-
watchIshiuchi Miyako’s early life near Yokosuka’s U.S. military base
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watchKeizo Kitajima in the former USSR
-
watchAsako Narahashi’s photos from the sea
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watchHiromi Tsuchida: Documenting Japan’s past and present
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watchIshiuchi Miyako: What is a scar?
-
watchIssei Suda on the drama of photography
-
watchDaido Moriyama on social rebellion in 1960s Japan
-
watchVisual Activism
-
watchCraig Dykers: Designing the New SFMOMA
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watchJürg Lehni’s extraordinary drawing machine
-
watchThomas Schütte: Playing with materials
-
watchRobert Frank on photographing The Americans
-
watchDana Schutz on the personalities of paintings
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watchAnthony Hernandez: Peeling away the layers of the Mojave Desert
-
watchRobert Adams: Photographing a “landscape of mistakes”
-
watchRon Nagle: The sculptural language of hair loss
-
watchHarrell Fletcher and Miranda July on Learning to Love You More
-
watchRon Nagle on the ceramic “revolution”
-
watchLászló Moholy-Nagy's shadow play
-
watchSol LeWitt’s Loopy Doopy: The Installation
-
watchKen Hakuta: My uncle Nam June Paik
-
watchMuseum as Producer: Julia Scher’s Predictive Engineering
-
watchThe Living Wall
-
watchJananne Al-Ani on the Middle Eastern landscape
-
watchThe Artist Initiative: Installing Ellsworth Kelly
-
watchLeonor Antunes on the architecture of inspiration
-
watchJulia Scher: Predictive Engineering
-
watchClaudy Jongstra on art and sustainability
-
watchJason Lazarus: “At sea” with found photographs
-
watchRobert Adams's sobering photographs of clearcutting in the Pacific Northwest
-
watchHow Mike Mandel created new meaning from old photographs
-
watchSlices of time: Eadweard Muybridge’s cinematic legacy
-
watchMike Mandel’s Baseball-Photographer Trading Cards
-
watchMichael Jang’s family snapshots
-
watchCatherine Opie’s groundbreaking queer portraiture
-
watchJanet Delaney on South of Market
-
watchJanet Delaney on hand-painted signs
-
watchJudith Joy Ross: Protest the War
-
watchLeo Rubinfien: How do you photograph a psychological wound?
-
watchAn-My Lê: Landscapes of war
-
watchRabih Mroué on “the war against the image”
-
watchRomare Bearden and the civil rights movement
-
watchDiscovering a hidden Picasso
-
watchConservation nation: Eva Hesse’s Aught
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watchJosef Albers’s Tenayuca: From pyramid to painting
-
watchMichael Jang: The night the Sex Pistols broke up
-
watchHow Michael Jang photographed the most glamorous celebrities of 1970s Beverly Hills
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watchJohn Divola: “Time is a verb”
-
watchJohn Divola: Photographing abandoned houses
-
watchFred Wilson’s museum interventions
-
watchJon Rubin’s Pictures Collected From Museum Visitors’ Wallets
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watchReinhard Mucha: Showing the show
-
watchMike Light: Flying photographer
-
watchMike Light: The West
-
watchRichard Deacon on being a “fabricator”
-
watchIs Photography Over?
-
watchJoan Brown: Life-size art
-
watchBetye Saar blends the mystery of history
-
watchThe mysticism of Betye Saar
-
watchBetye Saar believes she has the best of both worlds
-
watchBetye Saar controls her destiny
-
watchThe Windhover project: The wings of Nathan Oliveira’s mind
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watchJay DeFeo and Wally Hedrick’s Christmas parties
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watchImogen Cunningham: The obstacles of portrait photographers
-
watchImogen Cunningham: Why people like flowers
-
watchImogen Cunningham on earning a living
-
watchRobert Arneson on the “spiritual presence” of Peter Voulkos
-
watchNathan Oliveira on inspiration
-
watchNathan Oliveira: Abstract Expressionism lets “the paint define the painting”
-
watchNathan Oliveira confronting a creative “stone wall”
-
watchFrank Stella on “relief painting”
-
watchDavid Smith on color
-
watchFrank Stella paints tracks and circuits
-
watchRichard Serra’s Surprise Attack
-
watchWhy Susan Rothenberg is hard on herself
-
watchSusan Rothenberg on her artistic process
-
watchJackson Pollock’s drip-painting process
-
watchNathan Oliveira: Painting is beautiful and essential
-
watchElizabeth Murray: Finding the artist inside the painting
-
watchWillem de Kooning on painting women
-
watchGender roles according to Louise Bourgeois
-
watchBreakability: The essential quality of pottery for Louise Bourgeois
-
watchTina Modotti: Silent film star
-
watchHow Edward Kienholz started scavenging for materials
-
watchEva Hesse’s installations: Never the same twice
-
watchEva Hesse's spontaneous artistic process
-
watchEva Hesse’s zest for life
-
watchEva Hesse was true to her materials
-
watchPreserving Eva Hesse's latex
-
watchLindy Roy’s retail concept for Vitra
-
watchGrace McCann Morley's populist approach to founding SFMOMA
-
watchNashormeh Lindo: The Harlem Renaissance opened the eyes of the establishment
-
watchRobert Bechtle: Photorealism at high speed
-
watchRobert Bechtle: The car is a landscape
-
watchRobert Bechtle: An underpainting to enhance the color
-
watchAntony Gormley answers: What is art?
-
watchRobert Bechtle's dabs of enlivening color
-
watchSFMOMA’s New Visual Identity
-
watchSol LeWitt on Eva Hesse’s “junky” materials
-
watchSol LeWitt on making wall drawings
-
watchDavid Park's daughters remember their father
-
watchRobert Arneson on becoming an artist
-
watchRichard Diebenkorn: Inspired by natural light
-
watchRichard Diebenkorn: Seeing the world in abstraction
-
watchJackson Pollock: Paintings have a life of their own
-
watchRobert Rauschenberg, Willem de Kooning, and a bottle of Jack Daniels
-
watchRobert Bechtle: The intensity embedded in the paint
-
watchDoris Salcedo on her Colombian heritage
-
watchDoris Salcedo role-plays to shape her practice
-
watchRomare Bearden: Advocate, guru, nurturer
-
watchEd Ruscha: Breaking his own rules
-
watchChris Johanson’s “free-form” process
-
watchChris Johanson’s energy explosion
-
watchRichard Diebenkorn’s collaborative printing process
-
watchRichard Diebenkorn’s portraits of fellow Marines
-
watchRobert Rauschenberg to John Cage: “Be careful and drive straight”
-
watchImogen Cunningham: Driven by curiosity
-
watchImogen Cunningham on enjoying the tedious work in the darkroom
-
watchDavid Park: California vs. New York
-
watchDavid Park believed art should be troublesome
-
watchDavid Park at home
-
watchBetye Saar on adding mystery in her work
-
watchDorothea Lange: The camera teaches people how to see
-
watchDorothea Lange: From snapshots to documentary
-
watchDorothea Lange on the Great Depression in San Francisco
-
watchBetye Saar’s particular solitude
-
watchImogen Cunningham on The Tonight Show with Johnny Carson
-
watchEdward Weston: Nature is “the great stimulus”
-
watchRichard Diebenkorn: “The sky took the place of the ocean”
-
watchDavid Park’s love of jazz
-
watchRobert Rauschenberg on his most personal works
-
watchRobert Rauschenberg believes two is better than one
-
watchSargent Johnson on surviving the Great Depression
-
watchJoan Brown escapes to Alcatraz
-
watchJoan Brown gets what she wants
-
watchJoan Brown finds success in surprise
-
watchLouise Bourgeois’s cluster of spiders
-
watchRediscovering Jay DeFeo’s The Rose
-
watchRobert Arneson’s portraits have nothing to do with ego
-
watchRobert Arneson on the “seductiveness” of clay
-
watchPhilip Guston at work in his studio
-
watchRobert Rauschenberg in Pelican
-
watchTime-lapse of a Sol LeWitt Wall Drawing installation
-
watchSqueak Carnwath paints the places in her mind
-
watchUntangling the puzzle of Sol LeWitt’s open cubes
-
watchDiego Rivera: The gateway to Mexican culture and politics
-
watchFormal differences: Frida Kahlo vs. Diego Rivera
-
watchRobert Arneson’s controversial portrait of Mayor Moscone
-
watchTime-lapse of Parra’s mural Weirded Out
-
watchFallen Sky: Naoya Hatakeyama goes beneath the earth for art
-
watchMatthew Ritchie: Art is not an equation
-
watchLouise Nevelson shares her sculpture studio
-
watchLouise Nevelson: Architect of light and shadow
-
watchLouise Bourgeois became an artist to fight back
-
watchGlenn Ligon confronts slavery
-
watchFrank Stella: Creating canvases in new shapes
-
watchFrida Kahlo: Feminist and Chicana icon
-
watchGibberish and human hair: What it takes to install Gu Wenda
-
watchMatthew Ritchie on the game of chance
-
watchFrank Stella on Jackson Pollock: The hand, the eye, and the body
-
watchMatthew Ritchie: Abstraction is metaphysical
-
watchJudy Chicago’s “cunt cheerleaders”
-
watchLouise Bourgeois’s work isn’t always feminist
-
watchFrida Kahlo’s evolution
-
watchGlenn Ligon’s self-portraits fall apart
-
watchJudy Chicago: It’s a man’s world
-
watchVija Celmins wants you to open your heart and eyes
-
watchFrom the Big Bang to now: Matthew Ritchie's stories
-
watchRichard Serra: On trial for Tilted Arc
-
watchRubber, lead, and steel: Richard Serra’s materials
-
watchRichard Serra’s “risk-taking masculinity”
-
watchHilla and Bernd Becher invented a new genre of photography
-
watchDorothea Lange discusses her work
-
watchSol LeWitt on working with assistants
-
watchMark Bradford’s Open Studio Introduction
-
watchPetah Coyne: “Materials are a language”
-
watchEllsworth Kelly on Abstraction
-
watchPaul Kos: Salt and ice
-
watchPaul Kos in the Sierras
-
watchTony Cragg, radical materialist
-
watchTony Cragg’s utilitarian materials
-
watchBill Viola at SFMOMA
-
watchAnsel Adams’s moon in Moonrise, Hernandez, New Mexico
-
watchThe suspense of Ansel Adams’s famous moonrise
-
watchEva Hesse and gender
-
watchAnsel Adams on protecting the environment
-
watchAnsel Adams: Photographic technique as a means to an end
-
watchAnsel Adams visualizing the final print
-
watchYosemite and the work of Ansel Adams
-
watchClimbing with Ansel Adams and friends
-
watchAndy Warhol makes a silkscreen
-
watchWhat is Pop art to Andy Warhol?
-
watchJasper Johns doesn’t “settle” in his art
-
watchEva Hesse: “Life doesn’t last; art doesn’t last”
-
watchJenny Holzer’s public “clichés”
-
watchVik Muniz's images
-
watchPhilip Guston: Mysteries of the working process
-
watchWind River Lodge: Lindy Roy’s design for extreme winter sports
-
watchThe many lives of Lee Miller
-
watchTrains, snakes, and guitars: The collages of Romare Bearden
-
watchWhy would Picasso hide a painting?
-
watchWhat is cheese? A reality lesson from René Magritte
-
watchTime-lapse of Ann Hamilton’s installation of indigo blue
-
watchDavid Ireland at 500 Capp Street
-
watchDonald Fisher on collecting art
-
watchAll things must come to an end: the deinstallation of Sol LeWitt’s SFMOMA murals
-
watchWright Morris: Dear Son Have Moved, Eddie Cahow, and Model T
-
watchWright Morris: God’s Country, End of the World, Grain Elevators, and Cover the People
-
watchWright Morris: Clara, Holy Things, and House or Ark
-
watchWright Morris: Abandoned House, Ed’s Room, and Robin Hood
-
watchReimagining the Museum: The First Sketches
-
watchAn Assistant's Take on Making Murals with Rivera
-
watchBreaking Ground on the New SFMOMA
-
watchDouglas Gordon on working with elephants
-
watchBuilding Our Future: SFMOMA Expands
-
watchCliff Hengst: Maybe
-
watchLeo Villareal on The Bay Lights
-
watchKevin Killian and Poets’ Theater Present Wet Paint
-
watch“Too Much Is Enough”: A Talk on Garry Winogrand
-
watchVik Muniz on his series The Best of Life.
-
watchTime-Lapse: Mark di Suvero at Crissy Field
-
watchTrailer for Stories from the Evacuation
-
watchVisual Activism symposium: Favianna Rodriguez and Teddy Cruz
-
watchVisual Activism symposium: Michelle Dizon
-
watchVisual Activism symposium: Jeff Derksen and Sabine Bitter
-
watchVisual Activism symposium: Shannon Jackson and Tina Takemoto
-
watchVisual Activism symposium: Jerome Reyes, Nine Yamamoto-Masson, and Srinivas Aditya Mopidevi
-
watchVisual Activism symposium: Lisa Parks
-
watchVisual Activism symposium: Gran Fury
-
watchVisual Activism symposium: Carlos Motta
-
watchSeeing yourself seeing: Olafur Eliasson
-
watchJim Melchert on his slide projection Changing Walls
-
watch75 Reasons to Live: Jens Hoffmann on Felix Gonzalez Torres’s “Untitled” (America #1)
-
watch75 Reasons to Live: Megan Brian on Marilyn Minter’s Strut
-
watch75 Reasons to Live: Michelle Tea on Andy Warhol’s Self-Portrait
-
watch75 Reasons to Live: Sanjit Sethi on Augustus William Ericson’s Slab of Redwood for a London Dining Table Designed to Seat Forty Guests—Diameter 15 Feet
-
watch75 Reasons to Live: Leslie Shows on Arthur Dove’s Silver Ball No. 2
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watch75 Reasons to Live: Johnny Ray Huston on Diane Arbus’s Xmas Tree in a Living Room, Levittown, L.I.
-
watch75 Reasons to Live: Sam Green on Unknown artist’s Untitled [Women Racing]
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watch75 Reasons to Live: Chris Perez on Barry McGee’s Untitled
-
watch75 Reasons to Live: Lisa Robertson on Eva Hesse’s Sans II
-
watch75 Reasons to Live: Jeffrey Fraenkel on Diane Arbus’s A Young Brooklyn Family Going for a Sunday Outing, N.Y.C.
-
watch75 Reasons to Live: Janet Bishop on Watercolors by schoolboys, ages 10-16, from the Chirodzo Art Centre, Southern Rhodesia, 1957
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watch75 Reasons to Live: Suzanne Stein on Constant’s New Babylon
-
watch75 Reasons to Live: Anne McGuire on Anne Bremer’s Sentinels
-
watch75 Reasons to Live: Lynn Hershman Leeson on Tina Modotti’s Convent of Tepotzolán, Mexico
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watch75 Reasons to Live: Mark Jensen on Bruce Nauman’s Wax Impressions of the Knees of Five Famous Artists
-
watch75 Reasons to Live: Joseph Becker on Giovanni Pintori’s Poster
-
watch75 Reasons to Live: Margaret Tedesco on Claude Cahun’s Untitled (Self-Portrait)
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watch75 Reasons to Live: John Zarobell on Bruce Conner’s LOOKING GLASS
-
watch75 Reasons to Live: Meg Shiffler on Felix Gonzalez-Torres’s “Untitled” (America #1)
-
watch75 Reasons to Live: Rachel Rosen on Eadweard Muybridge’s Panorama of Francisco from California Street Hill
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watch75 Reasons to Live: Michelle Barger on Doris Salcedo’s Unland: irreversible witness
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watch75 Reasons to Live: Chip Lord on Terry Fox’s A Metaphor
-
watch75 Reasons to Live: Jennifer Dunlop Fletcher on J. B. Blunk’s Invisible Presence
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watch75 Reasons to Live: Tony Labat on Howard Fried’s Inside the Harlequin: Approach-Avoidance III and II
-
watch75 Reasons to Live: Sandra Phillips on Alfred Stieglitz’s Georgia O’Keeffe — Neck
-
watch75 Reasons to Live: Dominic Willsdon on László Moholy-Nagy’s Vom Funkturm (From the Radio Tower)
-
watch75 Reasons to Live: Duane R. Deterville on Pablo Picasso’s Tête de trois quarts (Head in Three-Quarter View)
-
watch75 Reasons to Live: Beth Lisick on Chris Johanson’s Untitled (Figures with black presence)
-
watch75 Reasons to Live: Henry Urbach on Ewan Gibbs’s San Francisco
-
watch75 Reasons to Live: Renny Pritikin on Robert Arneson’s Harvey
-
watch75 Reasons to Live: Stephanie Hanor on Bruce Conner’s SOUND OF ONE HAND ANGEL
-
watch75 Reasons to Live: Stephen Hartman on Felix Gonzalez-Torres’s “Untitled” (Golden)
-
watch75 Reasons to Live: Peter Samis on Wright Morris’s Storefronts, Western Kansas
-
watch75 Reasons to Live: Julio César Morales on Ansel Adams’s Diego Rivera Painting the Fresco “Still Life and Blossoming Almond Trees”
-
watch75 Reasons to Live: Lawrence Rinder on Lebbeus Woods’s Quake City, from the San Francisco Project: Inhabiting the Quake
-
watch75 Reasons to Live: Kamau Patton on Nata Piaskowski’s Untitled [Playing Handball]
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watch75 Reasons to Live: Carey Perloff on Robbert Flick’s Along Ocean Park, Looking West, Summer
-
watch75 Reasons to Live: Catherine Wagner on Mike Mandel and Larry Sultan’s Untitled, from the installation Evidence
-
watch75 Reasons to Live: Craig Baldwin on Wallace Berman’s Semina 7
-
watch75 Reasons to Live: Martin Venezky on Unknown artist’s Untitled [California Rancher/Cowboy in Front of a Backdrop]
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watch75 Reasons to Live: Kaja Silverman on Robert Rauschenberg’s Cy + Roman Steps (I-V)
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watch75 Reasons to Live: Rick Prelinger on Willard E. Worden’s Observatory in Ruins, Golden Gate Park, San Francisco
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watch75 Reasons to Live: Lori Fogarty on Dorothea Lange’s Migrant Worker, Coachella Valley, California
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watch75 Reasons to Live: Rex Ray on Andy Warhol’s Self-Portrait
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watch75 Reasons to Live: Chris Sollars on Bruce Nauman’s Wax Impressions of the Knees of Five Famous Artists
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watch75 Reasons to Live: Rudolf Frieling on Felix Gonzalez-Torres’s “Untitled” (Golden)
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watch75 Reasons to Live: Iain A. Boal on Elaine Mayes’s Interracial Couple and Baby, Golden Gate Park, August, 1968
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watch75 Reasons to Live: Yves Béhar on Barry McGee’s Untitled
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watch75 Reasons to Live: Stephanie Syjuco on Sherrie Levine’s La Fortune (After Man Ray)
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watch75 Reasons to Live: Trevor Paglen on Will Rogan’s Untitled, from the series Public Sculpture
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watch75 Reasons to Live: B. Ruby Rich on Edward Weston’s Legs in Hammock, Laguna
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watch75 Reasons to Live: Kota Ezawa on Jeff Koons’s Michael Jackson and Bubbles
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watch75 Reasons to Live: Kevin Killian on Andy Warhol’s National Velvet
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watch75 Reasons to Live: Carrie Pilto on Henri Matisse’s La fille aux yeux verts (The Girl with Green Eyes)
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watch75 Reasons to Live: Jennifer Sonderby on Leslie Shows’s Two Ways to Organize
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watch75 Reasons to Live: Jennifer A. González on Felix Gonzalez-Torres’s Untitled
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watch75 Reasons to Live: Renée Green on On Kawara’s MAR. 16, 1993, from the Today series
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watch75 Reasons to Live: Glen Helfand on Ed Ruscha’s Thirty-four Parking Lots in Los Angeles
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watch75 Reasons to Live: Pamela Z on Robert Rauschenberg’s Collection (formerly Untitled)
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watch75 Reasons to Live: Kenneth Foster on Joanne Leonard’s Sad Dreams on Cold Mornings
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watch75 Reasons to Live: Neal Benezra on Clyfford Still’s Untitled [formerly Self-Portrait]
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watch75 Reasons to Live: Allison Smith on J. Wilbur Sandison’s Quilt
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watch75 Reasons to Live: Chad Coerver on Anthony Hernandez’s Oakland #1
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watch75 Reasons to Live: Lisa Sutcliffe on Penelope Umbrico’s 5,377,183 Suns from Flickr (Partial) 4/28/09
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watch75 Reasons to Live: Ellen Arenson on Clyfford Still’s Untitled, 1951-52
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watch75 Reasons to Live: Gary Garrels on Robert Ryman’s Untitled, 1958
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watch75 Reasons to Live: Raelle Myrick-Hodges on John Collier Jr.’s Bureau with Portraits and Mementos (and self-portrait), Picuris Pueblo, NM
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watch75 Reasons to Live: Bill Fontana on Dan Graham’s Double Cylinder (The Kiss)
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watch75 Reasons to Live: Sarah Roberts on Terry Fox’s Pendulum Spit Bite
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watch75 Reasons to Live: Anne Walsh on Unknown artist’s Untitled [Women Racing]
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watch75 Reasons to Live: Whitney Chadwick on Ed Ruscha’s Every Building on the Sunset Strip
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watch75 Reasons to Live: Robert Bechtle on Richard Diebenkorn’s Coffee
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watch75 Reasons to Live: Rebecca Solnit on Jay DeFeo’s The Verónica
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watchRe-framed: Social Practice Brings the Public into the Picture
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watchA Neighborhood Thing: The Mission Art Scene in the '90s
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watchKill Your TV: How Bay Area Video Art Exploded in the 1970s
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watchLouise Bourgeois: Unlike family, geometry never fails you
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watchbut what you want is far away
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watchJohn Baldessari sings Sol LeWitt
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watchStephen Shore ditched school for Warhol’s Factory
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watchVija Celmins began with recognizable surfaces
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watchThe Country Dog Gentlemen Travel to Extraordinary Worlds: Introduction
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watchThe Country Dog Gentlemen Travel to Extraordinary Worlds: Louise Bourgeois
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watchThe Country Dog Gentlemen Travel to Extraordinary Worlds: Sargent Johnson
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watchThe Country Dog Gentlemen Travel to Extraordinary Worlds: Henri Matisse
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watchThe Country Dog Gentlemen Travel to Extraordinary Worlds: Joseph Stella
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watchThe Country Dog Gentlemen Travel to Extraordinary Worlds: Diego Rivera
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watchThe Country Dog Gentlemen Travel to Extraordinary Worlds: Frida Kahlo
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watchThe Country Dog Gentlemen Travel to Extraordinary Worlds: René Magritte
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watchThe Country Dog Gentlemen Travel to Extraordinary Worlds: Piet Mondrian
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watchArt + Data Day
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watchThe Country Dog Gentlemen Travel to Extraordinary Worlds: Georgia O’Keeffe
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watchJulia Scher discusses the impact of the Artist Initiative
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watchThe Country Dog Gentlemen Travel to Extraordinary Worlds: Robert Rauschenberg
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watchThe Country Dog Gentlemen Travel to Extraordinary Worlds: Jackson Pollock
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watchBearing Witness
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watchOur Expansion
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watchInstallation of Richard Serra’s Sculpture Sequence
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watchFred Wilson on “degradaria”
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watchNjideka Akunyili Crosby on painting cultural collision
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watchMildred Howard’s houses hold memories
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watchStephen Shore Artist Talk
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watchRichard Learoyd takes us inside his giant homemade camera
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watchStephen Shore: Taking photographs that “feel like seeing”
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watchThe message is for the media: Ant Farm and Media Burn
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watchDoug Hall on his utopian generation
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watchDoug Hall’s giant Tesla coil
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watchBrice Marden: Abstract painting can take you to paradise
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watchAnt Farm on becoming “underground architects”
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watchBrice Marden: Influences
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watchPeter Campus on his most famous work and why he hates it
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watchTony Oursler’s “electronic effigies”: Between two spaces
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watchVito Acconci wants revolution
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watchHans Haacke: Fighting the establishment
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watchPeter Campus says, “You can’t see yourself”
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watchAbelardo Morell and the magic of the camera obscura
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watchLiz Deschenes on her camera-less photography
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watchAlison Rossiter gives new life to old photographic paper
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watchBarbara Bosworth looks slowly and observes the landscape
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watchSusan Meiselas on “the ethics of seeing”
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watchMarkus Schinwald’s strange prostheses and erotic table legs
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watchJohn Baldessari on fighting the “photography” label
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watchJohn Baldessari explains his “strange mind”
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watchSophie Calle’s voyeuristic portraits of hotel rooms
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watchMel Bochner transforms a wall with chalk
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watchSophie Calle on becoming an artist
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watchEwan Gibbs on his San Francisco drawings
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watchKateřina Šedá holds the Los Altos World Records
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watchCharles R. Garoian: The teacher who was called to the principal’s office
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watchJessica Stockholder creates an intersection with the intersection
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watchSpencer Finch takes viewers from technicolor to black and white
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watchJeremy Blake: A waking dream
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watchChristian Jankowski needs subtitles for Silicon Valley Talks
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watchJonn Herschend on finding beauty behind the scenes
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watchLarger than life! David Wilson and his sixteen-foot-high ink drawing Frog Woman Rock
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watchAlec Soth photographs loneliness in Silicon Valley
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watchSoul food for the brain: Chris Johanson and public sculpture
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watchMike Mills finds the past in the present, interviewing the “futurists” of Los Altos
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watchWhere did all the art go? Jonn Herschend and stories of the SFMOMA evacuation
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watchZarouhie Abdalian makes social sound in downtown Oakland
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watchFake snacks and jack-o’-lanterns: Josh Faught takes us to the Neptune Society Columbarium
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watchOpen your eyes! Rediscover San Francisco with David Wilson’s Arrivals
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watchGu Wenda on the artist as peacemaker
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watchHow Gu Wenda turns hair and glue into works of art
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watchGates of steel: Mark di Suvero and his path to welding
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watchBow and arrow to the heart: Mark di Suvero’s love for the Golden Gate
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watchMark di Suvero likes to work with his hands
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watchFrom Revlon to Robert Smithson: Mary Heilmann finds inspiration everywhere
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watchLynn Hershman Leeson’s seductive chat bot
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watchMapping nine centuries of a Romanian city with Tiffany Chung
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watchAA Bronson and his fictional museum Cornucopia
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watchLet’s talk about sex: AA Bronson pushes critics to consider queer culture
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watchThe story of Ernest Cole, a black photographer in South Africa during apartheid
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watchThe photographs of South African nightclub bouncer Billy Monk
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watchIn Boksburg, David Goldblatt photographs the reality of apartheid
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watchJim Campbell: Transmitted in light
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watchNaoya Hatakeyama on what’s awe-some
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watchTiffany Chung: Maps are about people
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watchAkram Zaatari describes Hashem el Madani’s “photography of the working class”
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watchThe Futurefarmers stand on one leg, together
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watchYto Barrada on how the Strait of Gibraltar shapes life in Tangier
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watchLamia Joreige maps Beirut’s tumultuous past and future
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watchThe Futurefarmers on picnics and Powers of Ten
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watchLamia Joreige on disappearance and memories of war
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watchAdrian Ghenie: Painting a dictator in the moment before his execution
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watchAdrian Ghenie: Attending art school in Communist Romania
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watchYto Barrada on laziness as resistance
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watchTuan Andrew Nguyen: Straddling two cultures and building a platform for art
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watchÓscar Muñoz explores memory through ephemeral materials
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watchÓscar Muñoz created an art space that thrives on uncertainty
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watchAkram Zaatari: Collecting images from the Arab world
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watchAdrian Ghenie started a gallery because he was a “failure”
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watchTuan Andrew Nguyen: Using graffiti and breakdancing to rebrand a country
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watchTrevor Paglen on the secret history of early Yosemite photography
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watchParra on getting “weirded out”
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watchTrevor Paglen photographs classified “black sites”
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watchPablo López Luz on shooting the landscape of Mexico City
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watchAlejandro Cartagena on photographing while walking through dry riverbeds
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watchHow Daniela Rossell’s photographs came to be viewed as images of Mexico’s “poster girls of corruption”
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watchDaniela Rossell questions “female territories”
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watchStephanie Syjuco creates knockoffs of works of art
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watchMiranda July and Harrell Fletcher’s Learning to Love You More: Piggybacking assignments
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watchMiranda July and Harrell Fletcher’s Learning to Love You More: Before web 2.0
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watchMiranda July and Harrell Fletcher’s Learning to Love You More: Instant acceptance
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watchRichard Serra answers: Why make art?
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watchAdvice from Richard Serra: Clear away the clutter and do your own thing
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watchHow do you take notes? Richard Serra draws his thoughts
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watchHave you seen my bird? Rigo 23’s “found lost bird” posters
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watchFrom cross-stitch to cake with Gay Outlaw
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watchHung Liu: There’s dignity in a woman handling a machine
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watchDavid Best is a burning man
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watchWilliam Allan brings books back to life
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watchJordan Kantor on the act of looking and looking again
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watchGraffiti is a sport, and Barry McGee a sportsman
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watchWill Rogan: “We are on this planet that’s spinning around the sun and it’s totally insane”
-
watchThe legendary Wayne E & Wayne R show
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watchKamau Amu Patton and the machine that’s always learning
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watchA large and flickering grid of light by Jim Campbell
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watchKlara Kristalova on the darker side of childhood
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watchTalking trash, over Skype, with Tiago Carneiro da Cunha
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watchDaniel Schwartz: “My university is the road”
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watchTraveling “through the eye of history” with photographer Daniel Schwartz
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watchJim Goldberg: Why do we keep making the same mistakes?
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watchJim Goldberg’s compassionate lens
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watchRichard Misrach: Graffiti in the wake of Hurricane Katrina
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watchPhotographer Jacob Aue Sobol in Greenland
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watchRosana Castrillo Diaz on finding meaning in the everyday
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watchStephanie Syjuco on the economy of art
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watchHarrell Fletcher and Miranda July’s Learning to Love You More: Web-based assignments designed to get people to leave their computers
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watchHelène Aylon “midwifes” an image
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watchRobert Rauschenberg pays tribute to John Cage
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watchForm, growth, behavior: The making of Andrew Kudless’s “bulbous” sculpture
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watchTeresita Fernández harnesses the behavior of fire
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watchPremature mortality: William Kentridge reflects on the AIDS epidemic in South Africa
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watchBeach life: William Kentridge and Tide Table
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watchWilliam Kentridge: transformation with animation
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watchWilliam Kentridge and his animated alter egos
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watchKerry James Marshall: Requiem for a decade
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watchKerry James Marshall: Art is a series of visual problems that need to be solved
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watchCompletely out of whack: Kerry James Marshall on his murals for SFMOMA
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watchKerry James Marshall wants to see black people in art, all the time
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watchKerry James Marshall goes grisaille
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watchOlafur Eliasson: Everyone sees a different rainbow
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watchAnn Hamilton evokes the working class with the color blue
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watchAnn Hamilton gives voice to Charleston’s invisible history
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watch“Un-reading”: Ann Hamilton erases texts to make room for other stories
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watchIn the studio with Olafur Eliasson
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watchExperimenting in the lab with Olafur Eliasson
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watchOlafur Eliasson’s machine: A phenomenon maker
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watchOlafur Eliasson wants you to slow down and take your time
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watchWhat does a solid-gray painting have to do with Bob Dylan? Brice Marden explains
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watchBrice Marden on finding inspiration in olive groves
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watchBrice Marden: How to look at paintings
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watchKota Ezawa: Translating photographs into drawings
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watchPainting versus photography: Jeff Wall compares and contrasts
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watchJeff Wall advocates for staged photography
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watchJeff Wall: “I begin by not photographing”
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watchHenry Wessel: Photographing while “half asleep”
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watchHenry Wessel: The view from the driver’s seat
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watchHenry Wessel: Why it’s better to see without recognizing
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watchAnselm Kiefer: An artist is “outside of the world”
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watchAnselm Kiefer: We use mythology to give life meaning
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watchDeborah Luster: Helping prisoners show themselves to the world
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watchWhy Deborah Luster decided to photograph prisoners
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watch“The people who stole the prisoners”: Deborah Luster’s accidental performance work
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watch“Hold these people in your hand”: Deborah Luster’s photographs of prisoners
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watchHow Richard Serra influenced Matthew Barney
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watchMatthew Barney and ancient Japanese whaling traditions
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watchMatthew Barney puts his body into his work
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watchFootball and perception: Matthew Barney on the field emblem
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watchMatthew Barney on ambergris, a.k.a. whale waste
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watchMatthew Barney on using plastics and petroleum jelly
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watchAmy Franceschini reimagines World War II–era community gardens for San Francisco
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watchRichard Tuttle: Art is an adventure
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watchIt’s alive! Richard Tuttle creates a wire piece at SFMOMA
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watchWhy was Richard Tuttle’s 1975 exhibition so controversial?
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watchRichard Tuttle flirts with nothingness
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watchGary Hill: Your actions reflect yourself
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watchGary Hill gets down to the neurons
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watchGary Hill crashes into a wall
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watchGary Hill touches sound
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watchGary Hill embraces the Millionaires Club
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watchGary Hill doesn’t miss a beat
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watchRobert Bechtle: The camera is a sketchbook
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watchRobert Bechtle: Paintings are not as ephemeral as photographs
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watchRobert Bechtle gets (photo)real
-
watchRomance novels and slave narratives: Kara Walker imagines herself in a book
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watchKara Walker on the dark side of imagination
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watchKara Walker explains her interest in “demoted” art forms
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watchKara Walker depicts violence and sadness that can't be seen
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watchDoris Salcedo: Memory as the essence of work
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watchDoris Salcedo: "Extreme experiences as a point of departure"
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watchEd Ruscha on combining painting and photography
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watchEd Ruscha: Drawing with gunpowder
-
watchEd Ruscha takes a leap from canvas to book
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watchEd Ruscha: Painting words
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watchEd Ruscha’s big-city visions
-
watchWhy Pipilotti Rist works with video
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watchPipilotti Rist: Our hearts are “rinsed” every second
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watchPipilotti Rist’s fairy tale about a destructive goddess
-
watchPipilotti Rist’s “instant diamonds”
-
watchJudy Chicago: The Dinner Party
-
watchLindy Roy’s liquid inspiration for Poolhouse
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watchOn target: Jasper Johns on creating his target paintings
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watchHow Zen poems influenced Brice Marden’s paintings
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watchBecause he says so: Jasper Johns is not a Dadaist
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watchFrank Stella: Rebuilding painting
-
watchFrank Stella and the art of the protractor
-
watchFrank Stella describes “art worth making”
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watchDavid Smith and the search for “accidental beauty”
-
watchRichard Serra throws molten lead inside SFMOMA
-
watchGlenn Ligon on “the idea of a black man”
-
watchJay DeFeo’s The Rose: The enormous painting that was “almost alive”