NARRATOR: 

California artist Wayne Thiebaud is perhaps best known for his paintings of cakes, pies and candies from the 1950s and ‘60s: still-lifes for the consumer age. But his career goes far beyond what some consider to be his “pop art”. It spans 70 years and includes figurative, landscape, and city paintings. Critic Michael Kimmelman. 

KIMMELMAN: 

There is in his work something, I think, different. There is a really nostalgic element in his work. And you see it in those beautiful blue halos and the kind of light that his work always is filled with, this really lush light. And there’s a sense almost of memory. And I think that that’s not exactly something that you perceive as strictly pop, which is very much about the here and now. 

But I also think that there’s another quality of imagination in the work. And part of that comes from its sources, which are Monet, who interests him a great deal, and Chinese painting. 

NARRATOR: 

Like his Impressionist predecessor Monet, Thiebaud is acutely interested in color. His sunlit areas’ rich, warm tones contrast with areas of shadowed coolness. Thick, saturated hues outline the edges of his forms. And Thiebaud indulges and delights in the sheer physicality of paint.